Hannah Gold writes for The Cut. Previous work can be found at Jezebel, Mask Magazine, The New Inquiry, The Intercept, The Nation, The Village Voice, Gawker, etc.
Power Feb 13
The limits of a “Me Too” movie
‘The Assistant’ aims for an unsparing account of office power dynamics, but it is mostly dull to watch someone else go to an office.
Culture Jul 15
Beliebering the point
Justin Kuritzkes’ debut novel ‘Famous People’ explores the smooth-brained inner life of a contemporary pop star.